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E-BOOK:THE KEPT TRUTHMagic Square: Rotas Opera tenet Arepo Sator, reveled the enigma of the Magic square. Egypth, Imperial Rome, Crusades, Templars... An interesting and original work that put on discussion the Darwin evolutionistic theory's.
The Magic Square, this is the name with which it's known, is a palindrome formed by five words of five letters that can be read in the same way from four directions of the side of the square itself.
This formula (ROTAS OPERA TENET AREPO SATOR) was very widespread in the places of the Roman Empire, probably propagandised by the legionaries of garrison. In 1937 it was found five times in Mesopotamia and there are some specimens of it in Egypt, in Cappadocia, in Britain and in Hungary. There are most recent specimens, I refer to the ones aren't proper to the epoch of the Roman Empire, but it's necessary to make a reference to Middle Ages and especially to the sacred buildings which are attributed to the Order of the Templars and to buildings which are connected to them.
The most ancient and easy datable specimens, with reference to the period, were found in Pompeii, that was buried by the eruption of Vesuvius at 79 A. C., and so they certainly belong to a former period of the eruption. The two Pompeian evidences have been very important for the development of this search because it wouldn't have the foundations to support two thousands years of history without the information obtained from them.
About the two Pompeian evidences, there is only a graphic reproduction of the one found on a column of the Big Palestra; the other specimen of the "Magic Square", that I will call "Sator", was found during the archaeological excavations from 1925 to 1936 in Paquio Proculo's house, duumvir around 74 A. C.; scholar Della Corte found the two palindromes during the period of the excavations of Pompeii.
I did a travel over the history, the mythology and the beliefs of the ancient civilizations, reading the enigma in a particular way and taking Pompeii as starting point and reference. Then I continued over Middle Ages until arrive today , where the science, perhaps, could confirm an incredible and extraordinary story.
It will be a real discussion, based on questions, to which it will try to give an answer. My interpretation of the "Sator" wants to be the reinforcement, that there isn't, and that makes to result beliefs and customs of ancient times and of all the others as inexplicable and incomprehensible.
It will be very interesting to know that this formula is very widespread. Europe, especially Italy and France, has numerous specimens that it's possible to see in the original square formula or in a classical text or making up a circle.
About my solution it will be necessary to make a reference to the classical arrangement, that is the square one.
I devoted a particular interest to the religious belief of the ancient civilizations interpreting, always with a subjective and original way, some works of art. Very interesting are some Pompeian paintings which I connected to the representations of the ceilings of the great Pharaoh's tombs.
The big buildings of the cathedrals, attributed to the period of the crusades and so of the Templars, will find also them an interesting reference to ancient Egypt, as far as arrive to the Plain of Giza.
Then the Charterhouse of Trisulti , with the enigmatic paintings of Neapolitan painter Filippo Balbi, will be, I like to define it so, a kind of "out the nines" of the information coming out of the "Sator".
In Pompeii, before the eruption of 79 A. C., was spoken and written a
vulgar Latin, foundation of the Romance languages.
Starting from the point turned to the top and going on the left, a determinate tracing is obtained, through that it goes just once on every segment (it's the only way that originates a translatable phrase). The word "AENEAS" is obtained by the letters that are out of that determinate tracing. Reading the letters on that determinate tracing the following phrase is obtained (colours show the following course):
TORO TRA PER SATOR PETO AENEAS.
THE BULL IS TRANSFORMED THROUGH THE CREATOR INTO THE MAN.
It's evident that "AENEAS" means man, because the composition of the "Sator" is to attributed to the Romans.
THE SATOR OF PAINTER FILIPPO BALBI
In the Charterhouse of Trisulti is present a painting of Neapolitan painter
Filippo Balbi, made around 1860 and in which the "Sator" is contained.